Ubrueling: April 2011

Rabu, 27 April 2011

[R627.Ebook] Download Trevor's Truth [Lords of Hawksfell Manor 7] (Siren Publishing Menage Amour), by Josie Dennis

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[Menage Amour: Erotic Historical Menage a Trois Romance, M/M/F, with M/M elements, HEA] Trevor Hawk has everything he desires. His Hawk curse gives him the excuse to take his pleasure where he likes. What more could he want? He goes to Hawksfell Manor and discovers Hawks who have love, too. But love isn't meant for him. Ivy Billings, lady's maid at the manor, is lonely. She has a crush on the earl's valet, Grayson, but he's so cold. When Trevor arrives, it's like sunshine breaking through the gray January. Grayson Emmett values his position. But he's removed from the other servants. He's secretly drawn to Ivy and can't help but be drawn to this newest Hawk, too. Trevor wants them both, and he always gets what he wants. As their passion escalates he begins to think he might want them forever. Will he admit the truth and confess his love? Or will he cling to his belief that he can't have real happiness? ** A Siren Erotic Romance

Sales Rank: #986185 in eBooks
Published on: 2014-02-18
Released on: 2014-03-17
Format: Kindle eBook

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1 of 1 people found the following review helpful.
Rather hot and delicious read!
By J Johnson
This seventh book in the ‘Lords of Hawksfell Manor’ series surprisingly and delightfully adds some new perspectives to the Hawk curse. Reading the previous books would provide more angles and understanding of this intricate, strange, perplexing family saga, however, this book can be enjoyed on its own. It is a rather hot and a delicious read!

Trevor Hawk, Viscount Heatherton, pampers and feeds his Hawk beast with men and women whenever the necessity to quiet his insatiable sexual needs for at least a little while roars to the surface. He is quite familiar with his family history and his inherited damnation but he can and he does take any, all, and multiples to his bed when those sexual desires overwhelm him. Yet, he has heard of Hawks marrying. It seems too unbelievable and certainly a fate that would never...could never befall him. Oh how the mighty...!

Grayson Emmett, the earl's valet at the manor, usually presents a very cold and austere bearing to all the other members of the staff. He especially hides his yearning for one particular lady's maid, Ivy. He has been assigned to serve Viscount Heatherton during his stay. Trevor, as the Viscount prefers to be addressed, quickly engages Grayson in a discussion about Ivy's history with any previous Hawks who have been guests. Oh my goodness, but Grayson is soon a major player in Trevor's current and future sexual proclivities while he is a guest at Hawksfell. It is going to be a trial for Grayson to maintain his implacable deportment. Marvelous!

Ivy Billings, lady's maid at the manor, has a huge crush on Grayson. However, she is constantly reminding herself about what got her booted from her last employment posting and valiantly attempts to put a firm lid on her attractions. Yet, when the newest guest, a Hawk no less, boldly approaches her in a very suggestive manner, her inner urges boil up and race to the surface. There is a pleasing exchange of pleasuring somewhat out of character for Hawks but seemingly very Trevor like. The die has been cast and a threesome has been loosely entangled all via an unusually discreet and giving Viscount Heatherton. Completely delectable!

There are some common themes that haunt all of the books in this series. However, that only provides a loose structure upon which a grand and glorious new variation gets to display its wondrous nuances for one and all to revel within. Book seven does not disappoint, and is a solid addition to the series. If hot three-way action is a new or established interest, this book is write on point.. Luscious!

NOTE: This book was provided by Siren Publishing for the purpose of a review on [...]

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Senin, 25 April 2011

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Minggu, 17 April 2011

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Published in 1913, Thomas Mann's Death in Venice is one of the most widely read novellas in any language. In the 1970s, Benjamin Britten adapted it into an opera, and Luchino Visconti turned it into a successful film. Reading these works from a philosophical perspective, Philip Kitcher connects the predicament of the novella's central character to Western thought's most compelling questions.

In Mann's story, the author Gustav von Aschenbach becomes captivated by an adolescent boy, first seen on the lido in Venice, the eventual site of Aschenbach's own death. Mann works through central concerns about how to live, explored with equal intensity by his German predecessors, Schopenhauer and Nietzsche. Kitcher considers how Mann's, Britten's, and Visconti's treatments illuminate the tension between social and ethical values and an artist's sensitivity to beauty. Each work asks whether a life devoted to self-sacrifice in the pursuit of lasting achievements can be sustained and whether the breakdown of discipline undercuts its worth. Haunted by the prospect of his death, Aschenbach also helps us reflect on whether it is possible to achieve anything in full awareness of our finitude and in knowing our successes are always incomplete.

Sales Rank: #1767899 in Books
Published on: 2013-11-12
Original language: English
Number of items: 1
Dimensions: 9.10" h x 1.10" w x 6.10" l, 1.15 pounds
Binding: Hardcover
280 pages

Review

Philip Kitcher's book is a profession of love: for Mann's novella, for Mahler's music, and for the commitment to ideas and reflections on life that a certain current of German culture represented in the nineteenth and early twentieth centuries. One senses that Kitcher has so completely immersed himself in the works of Mann, Mahler's music, their biographies, and to an extent the works by Britten and Visconti, that he speaks from within these works and lives.

(Mark M. Anderson, Columbia University)

Unusually rich, rewarding, and astounding in its range, Deaths in Venice asks important philosophical questions―about art's demands on its practitioners, its connections to the rest of life, and the possibility of endowing our short, evanescent lives with some lasting significance. More than reaching conclusions, these works provide beginnings: examples of new human possibilities that are not to be imitated but transcended―and that, in large part, is how the book itself proceeds. This is much more than a work on the philosophy of art: it does philosophy with art.

(Alexander Nehamas, Princeton University)

Deaths in Venice is a thorough discussion of the possible relation of literature, and art in general, to philosophical thinking. It is this double intensity of perspectives―a double intensity that is never sacrificed in the one or the other direction―that makes reading the book a unique experience.

(Rudiger Campe, Yale University)

Deaths in Venice is to the twenty-first century what Nietzsche's literary and musical criticism was to the nineteenth: a philosopher's profound, shrewd, learned, sharp-eyed, and humane interpretation of art, which is also a profound interpretation of daily life. Starting from the doomed, lonely passion of Thomas Mann's Aschenbach, Philip Kitcher explores three millennia of thinking and the hidden mysteries of the individual mind as it confronts itself, its neighbors, and the universe.

(Edward Mendelson, Columbia University)

[An] outstanding, intellectually agile book, which sheds so much fresh light on Mann's work and on the philosophical questions that it explores.

(Ritchie Robertson Times Literary Supplement)

About the Author

Philip Kitcher is the John Dewey Professor of Philosophy at Columbia University and the author of numerous books and articles, including The Ethical Project (2014), Preludes to Pragmatism: Toward a Reconstruction of Philosophy (2012), and Science in a Democratic Society (2011).

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6 of 7 people found the following review helpful.
An intriguing inquiry into the relationships among novella, film and opera
By Michael Greenebaum
This is a fascinating, and sometimes infuriating, book. Real and fictive people, past and present, music and text all co-exist in an imagined space in which they can inform and elucidate one another. The use of one work of fiction to explicate another is common enough, as is the use of an author's life to explicate a text (and occasionally the other way around), but it makes me uneasy nonetheless.

In this case, the author considers Mann, Visconti and Britten and their interpretations of Aschenbach. He makes it easy to imagine Aschenbach as a real person interpreted in various ways by the author, film-maker, and composer. But he isn't; he is Mann's creation. Mann is quite clear about how much of his own experience is the basis of the novella, and how much the death of Mahler may have inspired it. Nonetheless, Aschenbach is a fictional character; Visconti and Britten are interpreting a work of fiction, no matter how much their own lives may be implicated in their work. Philip Kitcher's strategy, while intriguing and frequently illuminating, does not allow these works, two of which (the novella and the opera) are masterpieces, to stand on their own.

It is disappointing that he has so little to say about Britten's opera - it is clear that he would much rather talk about Mahler. It is particularly regrettable since he raises the issue of whether Aschenbach succumbs to the plague or to a weak heart, and he seems to come down on the side of the heart. Britten's opera comes down on the side of the plague (even though the composer wrote it with a failing heart) and I wish Kitcher had devoted more attention to it.

My occasional impatience with this book is more than balanced by what I learned from it and what it forces me to think about. The author writes well and I will return to his work with pleasure.

3 of 3 people found the following review helpful.
Very Interesting and Unusual; 4.5 Stars
By R. Albin
This very interesting book is an unusual combination of intellectual history, art criticism, and philosophical reflection. The quality of writing is excellent and like all of Kitcher's work, the analysis is meticulous. Kitcher's conclusions are based on careful examination of primary sources and secondary literature. Enthusiasm for this book will probably be a function of enthusiasm for Mann, Britten, and Mahler, but if you enjoy the work of these artists, this book will be a very enjoyable read.

Since Mann's Death in Venice is the armature of this book, Mann is the primary subject of Kitcher's analysis. Kitcher argues that Mann had explicitly philosophical intentions in writing Death in Venice. In particular, Mann is focusing on the existensial question of what is a meaningful life? Kitcher has a detailed, very interesting, and thoughtful analysis of how Mann drew on the work of Schopenhauer and Nietzsche to address this question. Mann's particular preoccupation with the roles of artists, and the tension between art and the ethical demands of a more conventional life. Kitcher provides a very close reading of Death in Venice, pointing to Mann's use of philosophical themes from Schopenhauer and Nietzsche and .also with important aspects of his personal life and experience. Mann's ambiguous sexuality and the clear parallels with von Aschenbach are explored but in way that stresses how this aspect of Death in Venice and Mann's life should not overshadow the more philosophical aspects of Death in Venice. There is a lot of interesting information about subsequent, interesting aspects of Mann's life and work.

Kitcher has similar, thoughtful treatments of Britten's and Visconti's treatments of Death in Venice. The different aspects of Death in Venice emphasized in these 2 rather different works are discussed nicely. The discussion of the Visconti film leads to an interesting discussion of Mahler. Kitcher points to how Mann's depiction of von Aschenbach, and particularly von Aschenbach's death, drew on Mahler's unfortunate demise. This leads to an interesting discussion of Mahler's philsophical intentions and reflections on existential questions, bringing the book back to the theme of what is a meaningful life. Kitcher discusses the role of great art as a meaningful answer to this basic question.

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Sabtu, 16 April 2011

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This manual is designed for training the beginning and advanced singing female voices. It explains the mechanisms of he singing instrument that control range, pronunciation of pure vowels, and the full range of dynamics. Mr. Frisell has produced a classics that continues to be relevant to this day-- a must for all those would-be sopranos who whish to excel especially in opera.

Sales Rank: #1065859 in eBooks
Published on: 2010-04-22
Released on: 2010-04-22
Format: Kindle eBook

About the Author
Anthony Frisell is a world-renowned teacher of voice for singers wishing to pursue careers in the field of international opera.

Most helpful customer reviews

9 of 9 people found the following review helpful.
World-Renowned Master Provides Training Manuals
By Glenda
Anthony Frisell, world-renowned teacher of voice for singers wishing to pursue careers in the field of international opera, has updated and reissued his three voice manuals: The Tenor Voice, The Soprano Voice and The Baritone Voice. They are intense, in depth and completely responsive to those individuals who wish beginning and advanced training for a serious career. My review is geared toward The Soprano Voice, however, the basic concepts are the same for all three voices.

For far too many individuals who surround themselves with music and perhaps even learn to imitate some of today's stars, they begin to consider a singing career. While reality shows abound implying that there is an easy path to success, this is just not true. The professional singer must be trained, practice and learn to protect their new voice!

To find the path to success, Frisell first explains the "Mental Image Approach." That is, "all vocal exercises must be indirectly applied, through mental concepts." (p. 7) The beginner then realizes what is expected to attain professional status. It was not at all surprising to me that even though I've been singing in various groups most of my life that I had never learned to sing correctly. Learning and maintaining vocal standards is a lifetime study in a professional environment and by a master!

There are fixed rules that form the correct mental image. Grand opera began in Italy and the first rule requires that all vowel sounds, in order to ensure singer communication to her audience, must ensure purity of vowels. Specifically, "each of the five Classic Italian vowels, u (oo) i (ee), e (eh), o (oh), and a (ah), as pronounced by native Italians, must be mastered in their purest form throughout the entire voice range." (p. 8)

The next fixed rule applies to Control for without control our voices are unreliable. The book covers breath-force dynamics, range, flexibility and shading of tones--all results of control.

There is also a requirement that professional singers must become familiar with the rudiments of music and the ability to play a musical instrument, preferably the piano. Additionally, it is necessary to learn several foreign languages.

For many of us, we do not understand how and why we can reach some notes sometimes, but not at others. This is simply explained by the requirement to identify the vocal registers for the individual. Frisell notes that "to master the art of refined singing one must know the function of the two vocal registers and fully develop them, so they function together as a single unit of quality and strength." (p. 11) This is not easily done. However, Frisell effectively takes each of the issues in this process, identifies and explains them, and then proceeds to illustrate how the single unit is developed.

Using a keyboard illustration, the breaks for females are identified. The lower register are those that come from the "chest voice" while the upper range is the "head voice." A ruling principle is provided because there is constant antagonism between these registers. "The conflicting muscular responses that occur, between the two vocal registers, when attempting to produce pure, superior vocal tone, represent the natural responses to the energy of the motor force (breath tension) being applied to the muscles of both registers." (p. 16).

For an individual to advance from routine singing to a professional, there are years of muscular control development through exercises, practice, and by listening and studying those professionals already proficient in opera. This manual takes you through the mechanics of this study and provides an outstanding array of exercises, detailed illustrations of where the sound should be located, how the tongue and throat are affected, etc.

Frisell has provided "a personal guide to acquiring a superior singing technique." Indeed, the only thing lacking is that Frisell is not there, helping the individual in this effort. This is a must-read for serious students of voice. As a final contribution, Frisell has included a copy of a recent article entitled, "Is There an "American School" of classic voice training? If so--has it failed American singers?"

By the way, the author gives master classes and is located in New York City. In my opinion, only very serious students need apply! This man will either accept you as a potential great singer...or you will come to know the answer to the question he poses in the above article.

1 of 1 people found the following review helpful.
It worked for me
By Ed Flaspoehler
I read Anthony Frisell's book Tenor Voice: A Manual for Training the Voice, and even though I am a baritone, I followed his recommendations, and it worked for me. Took about two years, and some scary moments along the way, as the musculature in my voice redeveloped, but I can sing now!

I also looked at some online excerpts from Baritone Voice by the same author, and realized the essential information is the same in both books.

There is also a very informative review above of Mr. Frisell's The Soprano Voice that you should read if you are interested in any of these books.

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Sabtu, 09 April 2011

[I412.Ebook] Download Ebook Modern European History, by Birdsall Viault

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Sales Rank: #9115 in Books
Published on: 1990-01-01
Original language: English
Number of items: 1
Dimensions: 8.00" h x 1.38" w x 5.40" l, 1.40 pounds
Binding: Paperback
608 pages

About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide

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0 of 0 people found the following review helpful.
easy, and concise
By Natalia
I constantly go back to this book for European history information (years after I used it in my AP class) because it's quick, easy, and concise.

4 of 13 people found the following review helpful.
Partition of Lithuania
By Anna
I have found one error in this otherwise excellent book, an error that has been repeated in many other books of modern European history. When discussing the partitions of Poland the author discusses the partition of Lithuanian territories as though these territories were a part of Poland. He states that Byelorussia and Polish Ukraine were ceded to Russia by Poland. This is not true. The fact of the matter is that Byelorussia and parts of the Ukraine were ruled by Lithuania and not by Poland. There was a Lithuanian Ukraine but there never was any such thing as the Polish Ukraine. Hopefully these matters will be resolved in later editions.

15 of 16 people found the following review helpful.
A very fine, accurate, brief review of European History
By D. Maddock
The student above who felt this review book was too LONG completely misses the point. One does not read through a book like this as a substitute for the textbook -- which is what I imagine this poor young student though he could do. One relies on it to clarify areas of confusion. As a good reference and review book to read either before a chapter or as review afterward, this is a genuinely excellent book.

First, it's a nice size. It's smaller (height and width) than most of the enormously giant-sized review books available so it's like a real book. And it's printed on real paper, not cheap newsprint like most of the AP review books are. Small enough that you can easily grab it off the shelf or carry it around with you. And, the page layout makes it easy to find things. Everything is treated in brief paragraphs with clear topic headings. Pages are brief so you move through it page-after-page very quickly. It really couldn't be easier to use.

As a history teacher, I look into this book from time to time to double-check an historical issue or event or to check up on correct chronology of events I can't quite recall. It saves a lot of time compared to paging through much longer, denser books.

As a review book, I imagine this would be very good to refresh a student's memory of lots of important (and, frankly, many less important!) events, people, and ideas. However, students who are looking for a book to replace their textbook will be disappointed as this book assumes you have some idea what is going on historically. You could read it alone and understand the history pretty well, but I doubt you'd be very confident without the analysis of the textbook which this does not have.

The one thing most lacking from books like this is overall themes and ideas. Most review books lack this so this is not so much a criticism as something to be aware of. History has patterns, themes, and MAJOR themes to be aware of (The rise of democracy, the clash of civilizations, the struggle for equality, impact of the Enlightenment, the impact of economic changes . . . and so on). If all you know are facts, events, and dates, you will be lost--but you already knew that!

This book assumes you are aware of these themes (See your textbook or your teacher if you aren't -- believe me, they are very important) and is designed simply to remind you of all that pesky information you might not have understood so well the first time. In that respect, this is a very fine book and clearly worth the money as one of the better European History review books.

Another caveat: It is NOT designed specifically to prepare you to "ace" the AP exam. It doesn't have the usual tips and tricks stuff that most review books have. It is designed for students who want to understand and remember the history, not for students that want quick shortcuts to faking out the exam. Of course, it goes without saying that students who understand the history tend to "ace" the exam -- without shortcuts and so-called "insider" information that isn't really very useful.

4 stars only because of lack of larger themes, but I'm a very tough grader!

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Senin, 04 April 2011

[P978.Ebook] Ebook Download Law, Policy and Technology: Cyberterrorism, Information Warfare and Internet Immobilization, by Pauline C. Reich

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In the information society, technology has become ubiquitous, but its intrinsic vulnerabilities and the complexity of managing mission-critical systems create an attractive target for potential attackers.

Law, Policy and Technology: Cyberterorrism, Information Warfare and Internet Immobilization provides relevant frameworks and best practices as well as current empirical research findings in the area. It is aimed at professionals who want to improve their understanding of the impact of cyber-attacks on critical infrastructures and other information systems essential to the smooth running of society, how such attacks are carried out, what measures should be taken to mitigate their impact and what lessons can be learned from the attacks and simulations of the last few years.

Sales Rank: #4176229 in Books
Published on: 2012-02-29
Original language: English
Number of items: 1
Dimensions: 11.02" h x 1.13" w x 8.50" l, 3.20 pounds
Binding: Hardcover
512 pages

Review
Reich (Waseda U., Japan) and Gelbstein (Webster U., Switzerland) compile 16 chapters by law, security, and information professionals from Europe, the US, and Asia, who examine issues in cyber and information security; initiatives in law, policy, and information security to address them; and how to address gaps in these areas. They consider the nature of the problem, the parties that have an interest in disrupting technology infrastructures and computer systems, how attacks take place and how organizations can prepare for them, and when, where, and why they occur. They discuss the main challenges facing security practitioners; the economic, political, and social consequences of information security disruption; the relationship between critical information infrastructure and cyberterrorism; managing risks associated with information assets; standards and best practices; key vulnerabilities; the application of law and policy to actual incidents; the academic literature on cyberterrorism; the nature of cyber threats to government and private computer systems; whether an international solution to cyberterrorism is needed; and case studies from India, China, and the UK. --Annotation �2012 Book News Inc. Portland, OR

Recommended - This 2012 book is an excellent source of information and references covering the broad and complex field of cyber security. The two authors/editors address the two major perspectives - information and communications technology and legal. This balance between the two major components of any serious study of cyber security is most welcome. [...] Anyone interested in developing or influencing policy on cyber security should consider this book a must read. What they have to tell us about cyber security is worth reading. --Ken Krechmer, University of Colorado, USA

About the Author

Professor Pauline Reich, American lawyer and professor, writer, arbitrator/mediator, consultant. Director, Asia-Pacific Cyberlaw, Cybercrime and Internet Security Institute, Tokyo, Japan, conducting research, producing publications, providing technical assistance and training for lawyers, judges, prosecutors, police, legislators, businesses, governments in the Asia-Pacific region and worldwide. Speaker at conferences in the United States, Europe and Asia, e.g. APEC Symposium on Information Privacy in E-Government and E-commerce, CSI 2008, RAISE (Regional Asia Information Security Exchange), Business Software Alliance, Cybersecurity Malaysia, Asian Institute of Technology, ITU regional Asia workshop on framework for Cybersecurity and CIIP, BILETA 2010.

Dr. Eduardo Gelbstein, Adjunct Professor, Webster University Geneva, former advisor to the United Nations Board of (external) Auditors, former Director, United Nations International Computing Centre and I.T. Strategy Manager, British Railways Network South East. Author of numerous articles and publications on Information Security and auditing and frequent speaker at international conferences on security and governance in Europe, the Middle East and Africa.

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0 of 0 people found the following review helpful.
Understanding cybersecurity
By Kenneth Krechmer
This 2012 book is an excellent source of information and references covering the broad and complex field of cybersecurity. The two authors/editors address the two major perspectives - information and communications technology and legal and then address policy issues from each perspective. This balance between the two major components of any serious study of cybersecurity is most welcome. The subtitle is, perhaps, overly dramatic. The book addresses both the commercial and governmental aspects of cybersecurity. There is a focus on US law, however the book includes views from other country's perspective, as well. Eleven other contributors provided different views, yet their material was well integrated into the book. This resulted in a readable book where common terminology allowed concepts to be addressed from multiple perspectives.

The information and communications focus (Section 1, seven chapters) ably led by E. Gelbstein (Webster University, Switzerland) provides the technology view on cybersecurity, defining terms, describing technical threats, listing many useful web sites, and identifying the applicable international standards as well as consortia developed best cybersecurity practices. The explanation of how to employ the references, standards and specifications that bear on cybersecurity is outstanding. This information is very valuable for anyone looking to understand and manage the cybersecurity risks in an organization.

The legal and policy focus (Section 2, nine chapters) ably led by P. Reich (Waseda University, Japan) provides a view on cybersecurity focused on US law but with considerable background on the legal issues associated with cybersecurity around the world. This section is very valuable for those wishing to understand the complex legal issues surrounding cybersecurity. There is a very interesting chapter on China's view of cybersecurity written by a retired US military officer. Ms Reich recognizes and explains the nascent state of the legal framework(s) to address cybersecurity. Chapters 10 through 13 provide considerable information, discussion and background on the very important issue of balancing cybersecurity with a free and open society. This reviewer is not a legal scholar, but the depth of information and references appeared to be significant. Anyone interested in developing or influencing policy on cybersecurity should consider this book a must read.

This large 493 page book (8.5 x 11 inch pages) is listed as "premier reference source," a term that this reviewer finds accurate. However, being the reference for a topic as dynamic as cybersecurity deserves a more dynamic medium than a hard copy book. This reviewer recommends this book become a web site (for pay if desired) that is maintained and expanded by these editors. What they have to tell us about cybersecurity is worth reading. The book includes a 41 page alphabetic compilation of the 100's of references from the individual chapters and an index. Full disclosure: the author of this review received a free copy of this book.

Ken Krechmer
Lecturer
University of Colorado
Boulder, CO USA

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Jumat, 01 April 2011

[Q273.Ebook] PDF Download The Entrepreneur Mind: 100 Essential Beliefs, Characteristics, and Habits of Elite Entrepreneurs

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Published on: 1601
Binding: Paperback

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